The Hall algorithms are the default and these are fine for now.
Open up the Remote Programmer on both the front and back RV7000 Reverbs. On the Back Stereo Imager, send both the Lo and Hi bands fully Wide (fully right). On the Front Imager, send both the Lo and Hi bands fully Mono (fully left). Looks complicated, but it's really pretty straightforward. Finally, send the Mixer’s master output to the “From Devices” inputs on the Combinator. Then send the front and back Phaser outputs to Channels 1 and 3 on the 6:2 line mixer. Then send the RV7000 outputs to the Phaser inputs (both front and back). Continuing with our routing, send the Imager outputs to the RV7000 Inputs (do this for both front and back imagers). Send 1 split into the first Stereo Imager’s inputs (we’ll call this the Front Imager), and the second split into the second Stereo Imager’s inputs (we’ll call this the Back Imager). Then send the Unison outputs to the Audio Splitter inputs. Send the Combinator To Devices outputs into the Unison inputs. Send the Combinator outputs to Channel 1 on the main mixer. Routing time (note that all the audio routings we’re going to create here are in Stereo pairs): Flip the rack around, and move the Thor Audio outputs into the Combinator Audio inputs. Now holding shift down, select the Stereo Imager, RV7000, and PH-90 Phaser, then right click and select “Duplicate Devices and Tracks.”. Inside the Combinator, hold down shift and create a Unison device (UN-16), Audio Merger/Splitter, 6:2 Line Mixer, Stereo Imager, RV7000, and for our FX device, let’s create a Phaser (PH-90). Next, create a Combinator under the sound source. Create a main mixer, and a sound source (an initialized Thor would do just fine). 
First, we’ll start in Reason, and start by opening a new document with all the usual suspects. Starting of creating the Front and Back sections #Propellerhead recycle cant click envelope zip file#
The tutorial files can be downloaded here: 4-corner-spatial-fx This zip file contains 2 Combinators: 4-corner delay FX and 4-corner phaser FX. This way, we’ll create different FX for 4 different corners of your mix. This time we’re going to send those same FX to different locations in your mix: Front, Back, Left and Right. In a previous tutorial I spoke about how you can create frequency-based FX and divide your FX, sending different delays or phasers or any combination of FX to different frequencies in your mix.
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